Angel Blue makes her highly anticipated Met role debut as Aida, the Ethiopian princess torn between love and country. Met Music Director Yannick Nézet-Séguin takes the podium of Michael Mayer’s ...

Late in the afternoon on Nov. 10, lights began to dim as a packed audience eagerly waited at the Emerson Colonial Theatre. The Boston Lyric Opera’s staging of the classic opera “Aida,” with music by ...

From lead to chorus, the performances in Aida are superb, but the production suffers from its more intimate approach and unusual costuming Opera Hong Kong's new Aida offered much to enjoy. It boasted ...

If she has the voice of an angel, and the face of an angel, she must be an Angel. Angel Blue, that is. The American soprano, one of the most admired singers of her generation, is headlining the ...

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Performances in N.Y.C. Advertisement Supported by Michael Mayer is directing the Met’s first new production of Verdi’s classic in nearly four decades, aiming for something fresh yet enduring. By ...

Forbes contributors publish independent expert analyses and insights. I cover travel trends and wellness and family travel. In addition to her long-awaited Met role debut as the Ethiopian princess, ...

Tenor SeokJong Baek will sing the role of Radamès in the January 4 and 7 performances of Verdi’s Aida, replacing Piotr Beczała, who has withdrawn due to illness. Earlier this season, Baek sang ...

Now looming large at our own Virginia Opera, “Aida” is grand opera with an equally monumental history: in its origins, its past performances and its theatrical punch. This particular “Aida” is large ...

If she has the voice of an angel, and the face of an angel, she must be an Angel. Angel Blue, that is. The American soprano, one of the most admired singers of her generation, is headlining the ...