After dancing with the Metropolitan Opera Ballet and other companies, he became its director. He was also well known for his staging of works by Antony Tudor. By Anna Kisselgoff Under Julie Kent’s ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. The discussions, conducted by Jane Pritchard, Curator of Dance at London's ...
The Washington Ballet chose "a quintessentially American program" for its winter series, Artistic Director Septime Webre told the audience Thursday night at the Kennedy Center's Eisenhower Theater.
It’s an often-repeated misconception that the dancers in Antony Tudor’s ballets move like human beings. They don’t; they move like Tudor ballet dancers, defined by a unique movement language.
In the dance world, a comeback can mean many things, even “back from the dead.” Artists may pass away, but their work lives on as long as other artists care for it. And former ballerina Sallie Wilson ...
On the centennial celebration of Antony Tudor at the ABT. It was the arabesque. Hagar’s tormented arabesques. Arms down by her side or swept back to bare her chest; chin up, as if in a vise; her ...
Ballerina Amanda McKerrow worked for years with choreography great Antony Tudor when she was a young dancer at American Ballet Theatre. So did her husband, John Gardner. “He influenced everything we ...
Any season in which ABT mounts fine productions of Antony Tudor’s The Leaves Are Fading and Twyla Tharp’s Baker’s Dozen has to be considered a gift to dance lovers. Both these marvelous works show how ...
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