Performances in N.Y.C. Calm and graceful, this cello piece by Bach slowly dances through hopefulness, longing and introspection. Calm and graceful, this cello piece ...

Sterling Elliott triumphs over the Royal Albert Hall in this note-perfect rendition of the first and second movements of ...

Have you heard Bobby McFerrin sing the cello? Well, here’s what I mean. He vocalizes the cello line in a concerto by Antonio Vivaldi. Truly the best mix of fun and boundless creativity! Hear this ...

Edward Elgar’s Cello Concerto starts with the cello alone, playing rich, soulful chords. British cellist Sheku Kanneh-Mason gives a passionate performance of this pillar in the cello repertoire today ...

Part of How To Classical. Why does the oboe tune the orchestra? Why does the orchestra sit the way it does? What does rosin actually do to a violin bow? If you find the traditions of the classical ...

Alban Gerhardt eschews the romantic, heart-on-sleeve interpretations of these famous concertos, and finds nobility and poetry even in the most turbulent music Alban Gerhardt adopts a back-to-basics ...

Thousands of people visit Barnegat Lighthouse State Park each year for its breathtaking views, historical significance and stature as an icon of Long Beach Island. They don’t usually come for live ...

Part of the charm and the privilege, of course, is to hear the resonance of strings and piano at such electrifyingly close quarters; a nod here, though it was more of a private event, to the stunning ...

Dirty Cello defies convention — and its members know it. As the Bay Area band returns to Napa for its upcoming performance at the Native Sons of the Golden West Hall on Saturday, April 26, lead ...

The fall concert season begins not just with the customary Beethoven and Bruckner but also with a great polychrome explosion of music from Latin America. The Venezuelan Gustavo Dudamel conducting a ...

Performances in N.Y.C. Advertisement Supported by Historical response to the cello endpin, which anchors the instrument to the floor, has alternated between acceptance and pushback. By Max Keller ...