Max Bruch resented that his First Violin Concerto (of three) achieved widespread fame while the rest of his output was largely neglected. But with its brooding melodies, unusual form, and joyous ...

Seen as one of his best pieces, Bruch composed this famous violin work in 1866 - and set himself up as something of a one-hit wonder. This former No. 1 in the Classic FM Hall of Fame has fallen from ...

Violinist Nikolaj Znaider (NEEK-oh-lye Z'NEYE-der) plays Max Bruch's most popular piece of music. Znaider teamed up with the Danish National Radio Symphony Orchestra and conductor Gerd Albrecht for ...

Some composers have had to live in the shadow of a great predecessor, most famously Brahms, looking over his shoulder at Beethoven. But Max Bruch lived his long life in the shadow of one of his own ...

Max Bruch absolutely embodied the Romantic period of Classical music. Every single one of his musical ideas is like a dictionary definition of what it meant to be a Romantic composer – extraordinary, ...

Symphony of Northwest Arkansas concertmaster Winona Fifield solos in the Violin Concerto No. 1 in g minor by Max Bruch with the orchestra and Music Director Paul Haas, 7:30 p.m. Saturday in Baum ...

Samantha Fan, a fourth-year PhD student in Psychology, will perform the Bruch Violin Concerto No. 1 with the University Symphony Orchestra at Mandel Hall Saturday, Dec. 1. She is one of the winners of ...

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. After more than half a century of neglect, the music of Florence Price is suddenly everywhere. To judge from ...

Clemency Burton Hill is the new presenter of the series celebrating classical music hits through the manuscripts on which they were created, beginning with Bruch's Violin Concerto. Show more Clemency ...

An arresting, decisive call to action from Zurich’s Tonhalle Orchestra launches a powerful performance of Dvoˇrák’s Violin Concerto, in which Julia Fischer is a soloist with a mix of strong projection ...

Poor Max Bruch. He wrote one of the great 19th-century romantic concertos, but sold it outright to a publisher, and its huge success never earned him an extra cent. Small surprise, then, that he tried ...