What's the Difference Between the ARRI ALEXA and RED Cameras? One Humorous Explanation
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Arri's New Alexa 265 Cine Cam Combines the 65's Giant Sensor and 35's Compact Form Factor
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Here’s how they shot the opening scene of Spectre (2015) Shot by Cinematographer Hoyte Van Hoytema. They shot the movie using a wide range of cameras and lenses: Arri Alexa 65, Panavision Primo 70 Lenses Arri Alexa XT M, Panavision AWZ2 Lenses (aerial shots) Arriflex 235, Panavision Primo Lenses Arriflex 435 ES, Panavision Primo and Zeiss Master Anamorphic Lenses Beaumont VistaVision Camera, Panavision Primo Lenses Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-Series, ATZ and AWZ2
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CineLenses on Instagram: "👉 Optex Excellence System Full Frame Module For 25 years, the Optex Excellence System worked with 2/3”, S16 and S35 sensors. Now, for the first time, it enters the Full Frame world. This new Full Frame module replaces the original S35 module — it is not an add-on. No optical compromises. No artifacts. Same angles. Same visual language. 🎥 Tested on Alexa LF, Sony Venice, FX6 and Red Monstro 8K, with Schott glass inside for outstanding image quality. Built to military-g
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MDLN_AI on Instagram: "HOW TO MAKE YOUR AI MORE REAL? Here’s the prompt 👇🏼👇🏼 Share with friends and let’s create together YOU DONT HAVE TO PAY THOUSANDS OF 💵 FOR AI AGENCIES TO LEARN THIS: 👇🏼 TRY THIS 👇🏼 Prompt for Ai Viseo generation- 8-second ultra-realistic cinematic fashion sequence featuring a young woman with ginger hair, natural freckles, and luminous skin, wearing a silver chain necklace, filmed in the tactile, nostalgic tone of Silkworm Society for NOW VS NOW — a refined blend
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