How do you use your sketchbook? Evie Hatch is an artist and writer whose sketchbook practice traverses her investigations into drawing, painting, pigments and paint making, as well as recording day-to-day notes. Read the full article on our blog: https://www.jacksonsart.com/blog/2022/07/21/inside-the-sketchbook-evie-hatch/ | Jackson's Art
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How do you use your sketchbook? Evie Hatch is an artist and writer …
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Every pigment used in Renaissance art has a story to tell. Evie Hatch went to the National Gallery to take a closer look at the Natural Ultramarine Blue in Raphael’s ‘Ansidei Madonna’, and how it embodies both religious devotion and the aspirations of the patron. Watch Renaissance: The Blood and the Beauty on BBC iPlayer now. | BBC Arts
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Every pigment used in Renaissance art has a story to tell. Evie Hatch …
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It’s time for more hardcore pigment lore from expert Evie Hatch. @evie_hatch From Evie: I should say actually, not all dark backgrounds were unintentional and not all were originally blue - some were green but don’t get me started on copper resinate pigments because we’ll be here all day and i’m sure you have things to do.” Images: Hans Holbein the Younger, Sir Brian Tuke (c. 1527-1528 or c.1532-1534). Oil on panel, National Gallery of Art Washington Hans Holbein the Younger, Anne of Cleves (153
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Evie Hatch on Instagram: "the magic of painting is in the transformation of one material (pigment and binder) into another, like blood on seaweed 🪸 sorry for the weird noises in the middle of this one, my croc was on top of the mic receiver 🪸 Images: Davide Ghirlandaio, Portrait of Selvaggia Sassetti (c.1487-88). Tempera on wood, Metropolitan Museum of Art Pietro di Domenico da Montepulciano, Madonna and Child with angels (1420). Tempera and gold on wood, Metropolitan Museum of A
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